TT
Full name | Year of birth | Sex | Nation | Place of residence | Job | |
13 | Tomb of Van Doanh | 1978 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
14 | Trieu Thuy Doanh | 1977 | Female | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Commune population officer |
15 | Ly Huu Dung | 1983 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Soldier |
16 | Trieu Thi Duyen | 1978 | Female | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Making herbal medicine |
17 | Duong Phu Dat | 1984 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
18 | Trieu Duc Doan | 1963 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
19 | Trieu Sinh Duc | 1955 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
20 | German Millionaire | 1953 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman, retired |
21 | Dang Van Giap | 1984 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
22 | Dang Thi Ha | 1989 | Female | Knife | Hop Son village, Ba Vi commune | Sell |
23 | Tomb of Van Ha | 1972 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Commune Secretary |
24 | Trieu Thi Hang | 1979 | Female | Knife | Taiwan | Worker |
25 | Trieu Quang Hoa | 1970 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
26 | Trieu Thi Hoa | 1948 | Female | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Making herbal medicine |
Maybe you are interested!
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Ancestor Worship Singing at Ca Cong Lo Khe Temple -
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Mai Quynh Nam (2001), Communication on Television, News Publishing House, Hanoi. -
The worship of Mother Goddess Lieu Hanh in Phu Giay through Han Nom documents - 24 -
Ho Chi Minh 1995: Complete Works. - National Political Publishing House, Hanoi, Volume 3. 10. Nguyen Thi Anh Thu, Psychological and Social Characteristics of Semi-Immigrants

TT
Full name | Year of birth | Sex | Nation | Place of residence | Job | |
27 | Phung Kim Hung | 1991 | Male | Knife | Suoi Than Village, Du Sang, Kim Boi District, Hoa Binh | Worker |
28 | Trieu Tien Hung | 1941 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman, deceased |
29 | Trieu Thi Huong | 1991 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
30 | Lee Huu Kien | 1985 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Teacher |
31 | Trieu Sinh Lang | 1952 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman, retired |
32 | Duong Trung Lien | 1963 | Male | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | worship, commune president |
33 | Phung Thi Mai | 1965 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
34 | Trieu Thi Minh | 1957 | Female | Knife | Hop Son village, Ba Vi commune | Farming |
35 | Trieu Thi Mui | 1981 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
36 | Trieu Thi Ninh | 1958 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Making herbal medicine |
37 | Trieu Thi Noi | 1940 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Making herbal medicine |
38 | The Idle Millionaire | 1961 | Male | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Head of the commune's cultural committee, shaman |
39 | Ly Van Phu | 1964 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman, village chief of Yen Son |
40 | Trieu Phuc Phuong | 1941 | Male | Knife | Suoi Than village, Du Sang commune, Kim Boi district, Hoa | Shaman |
TT
Full name | Year of birth | Sex | Nation | Place of residence | Job | |
Jar | ||||||
41 | Duong Kim Quan | 1944 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
42 | Dang Trung Sau | 1978 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
43 | Trieu Thi Suu | 1950 | Female | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
44 | Trieu Quang Tai | 1987 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Sell |
45 | Duong Duc Tien | 1944 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman, deceased |
46 | Phung Thi Tien | 1935 | Female | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | At home |
47 | Phung Van Tinh | 1974 | Male | Knife | Suoi Than Village, Du Sang, Kim Boi District, Hoa Binh | Teacher |
48 | Trieu Thi Toan | 1944 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | At home |
49 | Ly Sinh Tuat | 1972 | Male | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Doctor |
50 | Duong Thi Thang | 1948 | Female | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
51 | Phung Thi Thang | 1952 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Making herbal medicine |
52 | Phung Thi Thanh | 1979 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
53 | Trieu Thi Thanh | 1950 | Female | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Making herbal medicine |
54 | Trieu Duc Thanh | 1965 | Male | Knife | Hop Nhat Village, Ba Vi Commune, | Shaman, |
TT
Full name | Year of birth | Sex | Nation | Place of residence | Job | |
Ba Vi district, Hanoi | Head of Hop Nhat village | |||||
55 | Trieu Van Thanh | 1968 | Male | Knife | Suoi Than Hamlet, Du Sang Commune, Kim Boi District, Hoa Binh | Farming |
56 | Duong Trung Thanh | 1965 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
57 | Dang Xuan Thanh | 1957 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
58 | Trieu Tai Thanh | 1937 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
59 | Millionaire City | 1960 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
60 | Ly Van Thang | 1957 | Male | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
61 | Phung Thi Thang | 1952 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Making herbal medicine |
62 | Millionaire Wins | 1935 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
63 | Duong Trung Tho | 1969 | Male | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
64 | Ly Van Tho | 1959 | Male | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman, retirement |
65 | Cinnamon Tree | 1967 | Male | Ten | Coc Dong Tam Village, Minh Quang Commune, Ba Vi, Hanoi | Trade |
66 | Duong Thi Thuy | 1999 | Female | Knife | Yen Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
67 | Ly Huu Van | 1992 | Male | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
TT
Full name | Year of birth | Sex | Nation | Place of residence | Job | |
68 | Ly Thi Van | 1989 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
69 | Trieu Tai Vi | 1963 | Male | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Shaman |
70 | Lee Sinh Vuong | 1961 | Male | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Vice Chairman of the Commune |
71 | Dang Thi Xuan | 1967 | Female | Knife | Hop Nhat Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
72 | Ly Thi Xuan | 1983 | Female | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Farming |
73 | Trieu Thi Xuan | 1978 | Female | Knife | Hop Son Village, Ba Vi Commune, Ba Vi District, Hanoi | Medico |
APPENDIX 2: NOTES
1. The story of the origin of Ban Vuong
According to the story, Ban Ho is a three-meter-long dragon dog with black fur, yellow stripes, smooth as velvet that descended from the sky and was loved and raised in the palace by Binh Hoang. One day, Binh Hoang received an imperial edict from Cao Vuong. Binh Hoang immediately gathered all the mandarins to discuss a plan to destroy the Cao family, but no one could come up with a plan. Meanwhile, the dragon dog Ban Ho jumped out of the golden palace into the dragon yard and knelt down to ask to kill Cao Vuong. Before Ban Ho left, the king promised that if he succeeded, he would marry a palace maid (some documents say it was a princess). Ban Ho swam across the sea for 7 days and 7 nights to where Cao Vuong lived. Cao Vuong saw the beautiful dog prostrating in front of the dragon yard and thought it was a good omen, so he brought it into the palace to raise. One day, Cao Vuong was drunk, Ban Ho bit Cao Vuong to death, grabbed his head and brought it back to report his achievement to Binh Hoang. Ban Ho took the palace maid and brought her to Coi Ke mountain (Zhejiang) to live. Ban Ho and his wife soon gave birth to 6 sons and 6 daughters. Binh Hoang granted the descendants of Ban Vuong 12 clans, the eldest son took his father's surname, and the second sons took their names as their clans, including: Ban, Lan, Man, Uyen, Dang, Tran, Luong, Tong, Phuong, Doi, Luu, Trieu.
The descendants of Ban Vuong multiplied day by day. During the Hong Vu dynasty (1368 - 1398), there was a drought for 3 consecutive years with nothing to eat. The king had to give each of Ban Vuong's descendants an axe and a machete to cut down trees in the forest to make traps. Ban Vuong's descendants cleared all the king's mountains such as: Kim Son, Ngan Son, Long Bao, Ho Bao, O Nha, Giao Son, then the wild mountains in Quang Dong, Huguang, Thiem Tay, Van Nam, Quy Chau,...
The descendants of Ban Vuong continued to increase in number, forcing the king to issue a decree to "Qua Son Bang" to disperse to different places to find food [24, pp.19-20].
2. The story of the Dao people's sea crossing
The Dao people migrated to Vietnam by sea for many reasons such as war, drought, and crop failure. After many months at sea, the fleet suddenly
The Dao clan encountered a storm, with strong winds and waves that threatened to sink their boats, threatening the lives of the Dao clan. In the crisis, the Dao clan prayed to Ban Vuong and their ancestors to help them overcome the disaster and promised to hold a thanksgiving ceremony. Most of the Dao clans promised to hold a jumping festival. The prayer was answered, and from then on, according to their promise, the Dao clans held a jumping festival to thank their ancestors, but depending on each clan's promise, the cycle of holding a jumping festival was different, usually every 10 - 15 years.
3. Ancestor worship and separation of ancestral houses of the Dao Quan Chet people in Ba Vi
The Dao people in Ba Vi believe that there are two types of houses: big houses (tầm peo) and small houses (pèo liu). Big houses have an ancestral altar (tía ngày) of the family. The altar is structured like a wooden cabinet, with 2 floors and no doors. It is placed in the left or right corner of the partition between the outer and inner rooms. In small houses, the altar is a bamboo panel (peng) placed in the same position as the tia ngày but hung on the wall to worship ancestors. When there is a ceremony, the small houses gather at the big house - where there is an ancestral altar to perform the ceremony.
In addition, the Dao Ba Vi people have the custom of separating the ancestral house. The children are allowed to establish a new ancestral house for their family according to a mandatory process. First, find the ancestral house (set up an altar) -> call say -> hao sung (small ceremony) -> buy a small set of paintings (hay say) -> open the paintings -> tan dan dang -> pestle pay dang (small ceremony) -> pay respect to the ancestral god for the first time -> buy paintings -> open the paintings (1 day 1 night) -> dance festival (previously done 3 times in 3 years: the first year 1 day 1 night, the second year 2 days 2 nights, the third year 3 days 3 nights; now combined, done only once in 3 days 3 nights) -
> bestowing a title on a son -> chong pestle (2nd visit to the grave) -> pestle pi dang (big ceremony) -> third visit to the grave (butchering a buffalo). Only after going through these steps can the ancestral house be completed.
After the ancestral altar is completed, the family can perform the rituals at home without having to go to the family's ancestral house. Each son in the family, when getting married and living on his own, wishes to separate from the ancestral house for the convenience of worship and performing the rituals. Depending on each person's conditions, this will happen quickly or slowly. However, it must still be done in the order of the brothers in the family (the older brother's family separates first, then the younger family).
4. The shamans and their responsibilities in the initiation ceremony
To perform the coming-of-age ceremony, the homeowner invites 7 shamans, each in charge of a different job. The most important are the first and second shamans who preside over the rituals. The person who receives the coming-of-age ceremony will accept the shamans as his/her father-in-law (sây páp) , and study with them for life. Therefore, the person receiving the ceremony will choose very carefully the shaman's ability, moral qualities, ancestral home, as well as who they trust the most to be their teacher. When inviting the first and second shamans, the person receiving the ceremony will bring a little salt wrapped in dong leaves and a red thread (for the first shaman) and a blue or white thread (for the second shaman). When the shamans have accepted the salt and thread, it means that they have agreed to perform the ritual. No matter what happens to the family (including a relative passing away), the shaman must put it aside and do the work he/she has agreed to do, then return to take care of the family. Unless the shaman is no longer there, the homeowner will invite someone else to replace him.
For the remaining 5 shamans, the person receiving the ceremony does not need to bring salt and only when invited. If the shamans' families have a funeral or an unfortunate event, the person receiving the ceremony can invite another shaman to replace them. Before performing the ceremony, the person receiving the ceremony pours wine to invite the shamans, when they accept the cup of wine, it means they agree to perform the ritual.
The duties of the 7 teachers are respectively defined as follows:
The high priest ( Chi Chieu Say ): takes charge of and takes over all the main work of the ceremony.
Master two ( diên Chải say ): responsible for granting the title to the person receiving the ceremony. Master three ( chếnh mếnh say ): person who witnesses the entire event. Master four ( pu cày say ): responsible for welcoming the family gods and holy places.
Mr. Nam ( just don't say ): kitchen master, in charge of related work
to the preparation of offerings in the ceremony





