Current situation and solutions to exploit Hai Duong Cheo art to serve tourism development - 14



Pictures of Vietnamese rowing


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Image of Cheo theater participating in performance at the temple inauguration ceremony

Chu Van An



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Photo: 50th anniversary celebration of Hai Duong Cheo Theater



Drum Base


Drum Rice Flute


The Silver Bell



Woodpecker



Moon lute and Erhu


Musical instruments in Cheo


Index

ACKNOWLEDGEMENTS 1

INTRODUCTION 2

CHAPTER 1: GENERAL OVERVIEW OF TRADITIONAL CHEO THEATER ART. 5

1.1 History of formation and development of Cheo 5

1.1.1 Legendary story about the founder of Cheo singing 5

1.1.2 History of formation and development of rowing 6

1.2 Artistic characteristics of Cheo 8

1.2.1 About the name of Cheo and the content of Cheo 8

1.2.1.1 Name of rowing 8

1.2.1.2 Contents 9

1.2.2 Characters in Cheo 9

1.2.3 Dramatic techniques 10

1.2.4 Music in Cheo 10

1.2.5 Thinking in rowing 12

1.2.5.1 Poetic thinking 12

1.2.5.2 Mythical thinking 14

1.2.5.3 Rowing thinking is conventional thinking. 15

1.2.6 Musical Instruments 17

1.2.6.1 Drum 17

1.2.6.2 Rice drum 18

1.2.6.4 Wood 19

1.2.6.5 Sênh 20

1.2.6.6 Thanh La 21

1.2.6.7 Moon lute 21

1.2.6.8 Erhu 23

1.2.6.9 Flute 24

1.2.7 Cheo stage 25

1.2.8 Dance in Cheo 26

1.2.9 Rowing Classification 26

1.2.9.1 Rowing in the communal house yard 27

1.2.9.2 Cai luong opera 30

1.2.9.3 Rowing Boat He 31

1.2.9.4 Modern rowing 33

1.3 The value of Rowing 33

1.3.1. Historical value 33

1.3.2 The artistic value of Cheo 35

1.3.3 The real value of rowing 36

Chapter 1 Summary 38

CHAPTER 2: UNDERSTANDING THE ART OF HAI DUONG ROWING 39

2.1 Overview of Hai Duong province 39

2.1.1 Natural conditions 39

2.1.1.1 Geographical location 39

2.1.1.2 Terrain 39

2.1.1.3 Climate 40

2.1.1.4 Water resources 40

2.1.2 Population - economic - social conditions 40

2.1.3 Tourism resources 42

2.1.3.1 Natural tourism resources 42

2.1.3.2 Human tourism resources 45

2.2 Overview of Hai Duong rowing art 57

2.2.1 History of formation and development of Hai Duong rowing art 57

2.2.2 Characteristics of Hai Duong Cheo art 60

2.3 Current status of exploiting Hai Duong Cheo art in life and tourism activities 64

2.3.1 Performing Cheo in village festivals and 64th anniversary parties

2.3.2 Cheo performances at theaters in the city 65

2.3.3 Exploitation during tours and performances 65

2.3.4 Exploiting the art of Cheo in tourism activities 69

Chapter 2 Summary 71

CHAPTER 3: SOME PROPOSALS TO CONSERVE AND EFFECTIVELY EXPLOIT THE ART OF CHEO TO SERVE THE DEVELOPMENT OF HAI DUONG TOURISM. 73

3.1 Orientation and development planning of Hai Duong Tourism 2020 73

3.2. Some solutions to preserve the art of Hai Duong Cheo 76

3.2.1. Open Cheo 76 art training classes

3.2.2. Strengthening research work 79

3.2.3. Expanding international cooperation 80

3.3. Solutions to effectively exploit the art of rowing in Hai Duong tourism development 82

Chapter 3 Summary 96

CONCLUSION 97

REFERENCES 100

APPENDIX…………………………………………………………………..

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