as well as the sublimation of human beauty. Along with space, artistic time is also an indispensable means for the expression of images. The time that prevails in works about war is present, linear time; in works of everyday life, simultaneous time dominates, because it is an effective means for characters to express their "past feelings".
The closest and most direct artistic means is artistic language. Writers pay great attention to the speech of the Central Highlands people, incorporating it into their works in a very natural way, highlighting the cultural life and personality of the Central Highlands people. That is the phonetic system according to the Vietnamese pronunciation of the Central Highlands people, the vocabulary system that combines common vocabulary with local words, and grammatical structures that often do not follow Vietnamese grammar intentionally by the author. All bear the strong mark of life attached to the mountains and forests. The use of rhetorical devices is also a notable point. In addition to common devices such as metaphor, metonymy, hyperbole, listing, etc.; writers focus on two devices: comparison and personification as the best way to express the linguistic habits of the Central Highlands people, to emphasize the Central Highlands character in their works. The sentence system also clearly shows the linguistic characteristics of the Central Highlands people and of Central Highlands prose works. In direct speech, short sentences are very prominent. They show the atmosphere of the story, the way of thinking and the language level of the Central Highlands people. In indirect speech, long sentences are also used to show the inner life of the character and to lead the story. In addition, tone is also an important artistic technique that creates the atmosphere of the story. There are two prominent tones, which are the heroic epic tone that shows the heroic character and the heroic battle atmosphere of the Central Highlands fighting. That is the lyrical tone that shows the calmness of souls filled with love for their homeland and community; and also the sadness of the gradual loss of good cultural values.
5. Literature is the world of love, sadness and beauty. The condensation of aesthetic values is what every writer strives for. To do so, the writer must have intense emotions. If the writer does not have a special affection for his aesthetic object, his artistic world will be a terrifying void, a void left by blandness and tastelessness. Jacques Dournes said about his love for the Central Highlands: “If you have to understand in order to love, then you have to love in order to understand”. For the Central Highlands, you have to love in order to understand, the more you understand, the more you love. In addition to the native writers, other writers have loved the Central Highlands as their own homeland, loved the Central Highlands people as their own blood relatives, especially Nguyen Ngoc and Trung Trung Dinh. It is that love that has created works that have a long-lasting vitality in the hearts of readers. These works have contributed to promoting and preserving the cultural values as well as the good qualities of the Central Highlands people who are in danger of gradually deteriorating in the face of the unprecedentedly vigorous evolution taking place here. These works have the fundamental nature and value of creating momentum for the development of Central Highlands prose in the later stages. These works have contributed to the river of Vietnamese culture and literature a stream full of alluvium and rich in sedimentation, thereby beautifying the Vietnamese soul.
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6. Culture and people are only two specific aspects of artistic prose written about the Central Highlands. No matter how closely the study of these two issues is done, it is difficult to highlight the entire life of the Central Highlands that writers have generalized in their literary works. Literature written about the Central Highlands is currently developing strongly in both prose and poetry. In recent years, many remarkable literary works have appeared reflecting the contemporary life of the Central Highlands. Studying the entire literature of the Central Highlands and literature written about the Central Highlands is the next direction for researchers in the coming time.
AUTHOR'S WORKS RELATED TO THE THESIS
HAS BEEN ANNOUNCED
1. The Central Highlands Forest through the pages of literature. Literary Commentary Yearbook - Ho Chi Minh City Association for Research and Teaching Literature 2009.
2. Literature and the storytelling culture of the Central Highlands . Science Journal - Ho Chi Minh City University of Education, No. 23, October 2010.
3. The echo of gongs in the literature of the Central Highlands . Journal of Ethnic Culture, May 2009 issue.
4. The Central Highlands quality in Nguyen Ngoc's literature . Young scientists conference 2008 - University of Social Sciences and Humanities, Ho Chi Minh City.
5. The ferry, a treasure of the Central Highlands villages . Hon Viet Magazine, December 2009 issue.
6. Xanu forest from a cultural perspective . Dat Quang Magazine, October 2010 issue.
7. Can wine - "miraculous forgetting medicine". Gia Lai Education Magazine, Spring 2008.
8. Water in the consciousness of the Central Highlands people, Gia Lai Monthly, Spring 2010 issue.
9. Faces of culture . Science and Technology Magazine - Gia Lai Department of Science and Technology, Spring issue 2010.
10. Nup – the one who brings spring to the Central Highlands. Gia Lai Monthly Magazine No. 2043, December 2007.
11. Cloves, rice wine and... Trung Trung Dinh . Gia Lai Monthly, December 31, 2009.
12. The beauty of the Central Highlands people in Trung Trung Dinh's literature . Gia Lai monthly magazine spring 2009.
13. The Fire of the Central Highlands . Gia Lai Police Magazine, Spring 2009 issue.
14. Stor Village today . Saigon Giai Phong Newspaper, Saturday, March 15, 2009.
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