Brother [83, p.30]. Or in Co con thuyen da boi boi bo. , the third-person narrator stands somewhere quite close to the character and observes, analyzes, and understands each action, gesture, and attitude of the character: Be also laughed, feeling her back tired, because it had been held up for so ...
People by its own separation… the wind wakes them up in a way that glides slowly from foot to head, as if a soul, a ghost has just passed by lovingly, A few lonely winds have swaggered through the field, creating a funny scene, some straight, some slanted, messy. Waking up in the morning, the ...
The woman spoke 8 times in a row. That was her heart with so many worries, struggles, fears, pains. These were lines in a dialogue with psychological problems of the communicating characters. It was more meaningful to express moods and emotions than to promote the development of the story. In ...
In the construction of the imaginary world (…). There can be no narrative without a narrator. From the correlation of the understanding capacity of the narrator and the character, the researcher divided the narrator into three forms: the narrator is greater than the character , the narrator is ...
